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Art Spiegelman's Maus

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... paper, art on canvas, and art right on the walls - neon art, big art, small art, trinkets, treasures, and things you became tired to playing with the magic of colors. I have never seriously considered a career other than art. Art has been my life, and art has been my way to express my arts, wildlife art, figurative and portrait art, landscape art, marine art and still life art. The colonial period of characterizes much modern art. Like much modern art, pop art is immediately accessible and is thus a populist art form. cave art was "art for art's sake". However, many of the New Archaeologists look at the art with a Structuralist ideal and suggest that they are a binary ...



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Sources list for ART SPIEGELMAN'S MAUS:

Lehmann, Sophia. "'And here [their] troubles began': The legacy of the Holocaust in the writing of Cynthia Ozick, Art Spiegelman, and Philip Roth" CLIO. 28:1 (Fall 1999).
Art Spiegelman’s Holocaust

Dreifus, Claudia. "Art Spiegelman: The progressive interview" Progressive. November 1989.
Art Spiegelman’s Holocaust

Spiegelman, Art. 1986. Maus: A Survivor's Tale: My Father Bleeds History/Here My Troubles Began/Boxed. New York; Pantheon Books.
The Holocaust and Genres

Minear, Richard H., Geisel, Theodor Seuss and Spiegelman, Art. 2001. Dr. Seuss Goes to War: World War II Editorial Cartoons of Theodor Seuss Geisel. The New Press.
Dr. Seuss and WWII

Wilde, Oscar and Walter Pater. "Art for Art's Sake." Arts Education Policy Review, Vol. 104, Iss. 5, 2003.
Racism in "Heart of Darkness"

 

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