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Oedipus Detective Fiction Semiotic

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... mind, body, cultures and nature. She is famously known for her distinction between semiotic and the symbolic. Semiotic "construction" irrelevant to both fictional and non-fictional status, by doing so he can claim that non-fiction account "construction" irrelevant to both fictional and non-fictional status, by doing so he can claim that non-fiction account The traditional detective knows that he or she is doing the right thing because that detective receives the support of certain distinction between a fiction and a non-fiction, when a viewer is watching a fiction he knows that this is a ...



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Sources list for OEDIPUS DETECTIVE FICTION SEMIOTIC:

Thompson, Jon. "The Power of Knowledge: Poe's Detective Fiction and the Ideology of Rationalism." Fiction, Crime, and Empire: Clues to Modernity and Postmodernism. Urbana: U of Illinois P, 1993: 43-59.
Twin Peaks's Agent Cooper

Nickerson, Catherine Ross. The Web of Iniquity: Early Detective Fiction by American Women. Durham, NC: Duke University Press, 1998.
Lizzie Borden’s Motives

Conklin, Barbara, Robert Gardener and Dennis Shortelle, "Fingerprints", Forensic Science International: A Compendium of Detective Fact and Fiction. Oryx Press.: 108-115, 2002
Fingerprints - Recovery Methods

Sophocles. "Oedipus Rex." Sophocles, The Oedipus Cycle: Oedipus Rex, Oedipus at Colonus, Antigone. Harcourt. 2002.
"Hamlet" and "Oedipus Rex"

Blaine, Davies. "Historical Fiction - How Much Truth, How Much Fiction." Historical Fiction and Idaho U.S. History Curriculum. Internet, 1/17/2004. http://education.boisestate.e du/bdavies/truth-fiction.htm. Blaine, Davies. "Historical Fiction - How Much Truth, How Much Fiction." Historical Fiction and Idaho U.S. History Curriculum. Internet, 1/17/2004. http://education.boisestate.e du/bdavies/truth-fiction.htm.
“The Playmaker” by Thomas Keneally

 

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